Thank you so much to the Ladies of Horror Fiction

…for including ‘We Wait’ in their recommended reads!

And special thanks to Alex for the very kind review

One of the blurbs on the back of the book has this to say about We Wait: “Hill House for the 21st century: haunting, dark, and very, very real.” It’s a statement that I can support!

Megan Taylor gives us a chilling and modern gothic horror story with We Wait. It is atmospheric, spooky, and the character development is wonderful. The story takes places in 2016 and 1986 with some overlapping characters in each time, and this time hop is a way to slowly unveil some of the history of the house and its former inhabitants as we advance along in the story.

There are some “real” and sadly relevant horrors in this book as well – I do not want to give TOO much away because that plot/sub-plot of the book was a total surprise to me! And I am here for it! But it just adds to the looming darkness of the book.

A fun, yet serious, and great read! Highly recommended for fans of Susan Hill or Shirley Jackson – and Megan Taylor does her own little twist on what makes those aforementioned authors so loved as well. 4 stars from me!

At the End of the Meal

Thank you so much to MIRLive for including me in last night’s excellent evening of readings. Unfortunately there was a problem with some of my audio so, as requested, I’m posting my (very, very) short story here…

At the End of the Meal

“So – Tim’s decided he’s gay!” Heather says.

She’s breathless; her cheeks are pink, her eyes flashing silver, but she winces when her dessert spoon scrapes across the bowl.

It’s the end of the meal. We’ve dispensed with her Thai chicken and the seasonal small-talk, with all the general gossip. We’ve downed almost two bottles of starchy Pinot already, and it’s that time of the evening – the time for flushed skin and glittering eyes. For revelations, truth and ice-cream.

It’s the moment when we connect, when we reconnect, at last. It always happens and though we never say it, I think we both understand that this is why we go on meeting the way we do, why we continue the ritual of a meal in Heather’s big, warm family kitchen when I’m back in town each Christmas. It’s why we still describe one another as best friends, though we rarely meet during the rest of the whole long year.

“Tim!” I say, although it takes me a moment to remember who he is.

He’s her son of course. Her son, how could I have forgotten? It’s the wine, I think, making me drift. I’m too easily distracted – too busy looking at Heather’s things, at the bowl of nuts, gathering dust, and at the strings of cards and tinsel. I notice how the cracks are beginning to spread around Heather’s eyes and how her lipstick has worn off.

And through the window, snow is falling exactly the way it does in films and dreams, a steady heartbreaking dance of night and light. I lift my fingers to my own lips to check that my similar rosy smile is still in place.

“How old is Tim now?” I ask.

“Sixteen!” she says, and raises her hands, her eyebrows.

“Sixteen,” I echo. “Christ.

And I know that she thinks I’m exclaiming over the way the years have rushed by, how it only seems like yesterday that I was a bridesmaid at her wedding, that she was matron of honour at mine… But what I’m actually thinking is sixteen.

It’s the age we were when we went on our school skiing trip to France. When she was the pretty one, the graceful one, the girl who flew down the slopes and skated perfect figure-of-eights on the sparkling rink. While I spent much of that week flat on my back against the ice.

More snow, I think, my gaze moving between the window and her talking, eating, lipstick-less mouth. Her teeth part, and I watch the ice-cream slipping in a small, pale cloud between them, but I’m the one who shivers.

I’m remembering how freezing it was in those chalets, so cold that even after Heather climbed into my bunk, we couldn’t get warm enough. We were never warm enough. Her hands on my back – I can feel them still – were as cool and smooth as metal…

“We thought it was just a phase,” she’s saying. “But then I caught them! Actually kissing! And under the mistletoe of all places!”

She laughs, perhaps a little too loudly, with her head thrown back, showing me the pallid curve of her throat, the point of her chin. And though her hair has a lot of grey in it, even some white, I think how it still falls in exactly the same heavy way. Like cloth, I think. Like winter water. She’s still the pretty one.

“They just looked so funny,” she says. “So strange. Two boys, holding one another like that, hardly more than children. And they looked so alike! It was as if Tim was kissing himself, his own reflection…”

I down my wine quickly and lean across, trying my best to keep hold of her tin-foil eyes.

“Have you ever…” I begin. “Would you ever…”

But I can’t do it. Whatever I was going to say, I can’t say it. It’s suddenly too hot in here, suffocating. I glance down at my bowl instead, at the peaks and spreading pools of untouched vanilla, and at my own spoon, turning over in my hand.

The silver jumps as it catches the light. For a second it’s blinding, and in that second, Heather reaches over and takes it from me –

And I feel the creak, and then the avalanche, as she lifts it to her mouth.


Virtual MIRLive

Thrilled that the lovely folk at The Mechanics Institute Review have chosen my (very) short story, ‘At the End of the Meal’, for their first virtual MIRLive event, taking place this Friday, July 10th at 7.30pm.

Focusing on the theme of ‘Emergence’, the evening will be hosted by Kayleigh Cassidy and Alex Petropolous, and I’ll be reading alongside writers, Oisin Breen, Miki Lentin, Tom McColl, Adrian Higgins and Mary Brown.

If you’d like to come along, please visit

10 Housebound Creative Writing Prompts from my Twitter account (@meganjstaylor)

Using your home as a setting…

1) Write a tourist guide/brochure to your home, promoting all its finest, and weirdest, original features

2) Describe your home as if it’s haunted

3) Imagine that the fairies at the bottom of the garden are invading

4) Use your kitchen as a setting for a passionate love scene (what appliances and handy utensils might be involved?)

5) Imagine finding a stash of 500 toilet rolls in your partner’s wardrobe

6) Describe your living room as a crime scene

7) Write about your toilet as if it’s become a portal to an alien dimension

8) Concentrate on a single mirror. Who/what is looking back?

9) Describe your home, or the land it stands on, as it might have looked 150 years ago

10) Imagine stepping out through your front door six months from now. What happens next?

During Lockdown

If your writing group would like to attempt an online fiction workshop, please don’t hesitate to get in touch by emailing email hidden; JavaScript is required

I hope that you’re all doing okay out there. Keep reading and keep writing and keep as sane as you can, but most of all stay safe and well.